It's a blast to be working with Kevin Ray and company again, this time on an adaptation of Yevgeny Zamyatin's dystopian science fiction story WE.
My friend Kara Ayn Napolitano has written a beautiful play, In Search of Elaina, and I was lucky enough to provide some sound.
I'm always honored to be asked to work with the students at the Stella Adler Studio of Acting—this month, Conservatory students will play our production of Shelagh Stephenson's The Memory of Water from April 5–10 at the studios Jimmy Theater.
It's been a pleasure to be invited to work with director Tom Rowan at the Lee Strasberg Theatre & Film Institute on his production of Emily Mann's A Seagull in the Hamptons.
I'm always proud to work with Tom Oppenheim & the wonderful folks at The Stella Adler Studio of Acting's Harold Clurman Lab. Our production of The Cherry Orchard plays September 15–30, 2023—click the photo to see more photos.
I've had the immense pleasure of sound designing Hats Off Productions' inaugural production, Stephen Adly Gurgis's The Motherf*cker With the Hat.
It is my pleasure to once again be providing sound design for the Harold Clurman Laboratory at the Stella Adler Studio of Acting, this time on Tom Oppenheim's production of Anton Chekhov's The Seagull. The show runs thru February 23, 2019,
I had the pleasure of working with the team for the new play Inside Danny's Box, presented as part of the 1st Irish theatre festival at the cell; the show runs through January 27, 2019. More info & tickets here.
I'll be performing the role of Capulet in my friend Drew Bowlander's production of Shakespeare's Romeo & Juliet at The Kraine Theater on E. 4th Street next month. I'm equal parts stoked and terrified, because I haven't been onstage in a
Due to unforeseen circumstances, the production of Samuel D. Hunter's The Whale that I designed for the Harold Clurman Lab at the Stella Adler Studio of Acting earlier this year had to be postponed. It's now back, it opens tonight, and it looks (and sounds) wonderful.