One of my current projects: sound design for The New Collectives' upcoming production of Brendan Kennelly's adaptation of The Trojan Women, directed by my friend Rachel Dart, to be presented at The Balcony Theater of The Center at West Park
On February 1, 2016, I had the opportunity to join the incredible Claire Chase onstage for the world premiere of Marcos Balter's brilliant new work, PAN, at the Ordway Concert Hall in St. Paul, MN.
The reviews are coming in, and our production of MILLION DOLLAR QUARTET at Riverside Center for the Performing Arts is a "must-see," according to DC Metro Theater Arts. The photo above is by Suzanne Carr Rossi; you can see more of her
My Haunted Manhattan alter-ego made an appearance on CBS 2 New York this week, leading Alex Denis to a few of the spooky spots on my ghost tour. Don't forget to book your tour—The Professor is the Greenwich Village guide. Hope to
I'll be returning to Riverside Center for the Performing Arts in Fredericksburg, VA this winter, this time to direct their production of the hit jukebox musical, MILLION DOLLAR QUARTET. It's an imaginative retelling of the actual events of December 4, 1956,
As mentioned in an earlier post, Theater in Asylum invited me to come and play with them as part of their evening of new works, THE PRIMARIES PROJECT. I wrote & performed a new radio play for one actor, laptop, and
Season to Taste, the original two-character drama that I made with my friends (and outstanding actors) Laura Iris Hill and Anna Savant, for our company Co-Op Theatre East, will make its Philadelphia debut next month as part of the Philly
Tonight, I get to play with the great folks at Theatre in Asylum tonight, as a creator/performer in their really cool night of new politically-minded theatre spun off from their The Primaries series.
I had the privilege and pleasure of directing Frank McGuinness's incredible script Carthaginians with the wonderfully talented students of the Stella Adler Studio of Acting, which ran for five performances earlier this month. Here are a few stills from the show; a
I'm once again working with the great folks at The Skeleton Rep, sound designing on the world premiere of Emily Claire Schmitt's Whatchamacallit: A Play About Jesus. The play is a lovely and hysterically funny tale of faith, loss, (perhaps) the second