It is my pleasure to once again be providing sound design for the Harold Clurman Laboratory at the Stella Adler Studio of Acting, this time on Tom Oppenheim's production of Anton Chekhov's The Seagull. The show runs thru February 23, 2019,
I had the pleasure of working with the team for the new play Inside Danny's Box, presented as part of the 1st Irish theatre festival at the cell; the show runs through January 27, 2019. More info & tickets here.
I'll be performing the role of Capulet in my friend Drew Bowlander's production of Shakespeare's Romeo & Juliet at The Kraine Theater on E. 4th Street next month. I'm equal parts stoked and terrified, because I haven't been onstage in a
Due to unforeseen circumstances, the production of Samuel D. Hunter's The Whale that I designed for the Harold Clurman Lab at the Stella Adler Studio of Acting earlier this year had to be postponed. It's now back, it opens tonight, and it looks (and sounds) wonderful.
I once again had the distinct pleasure of directing the excellent students of the Stella Adler Studio of Acting conservatory program, this time on Donald Margulies's brilliant Dinner With Friends. Very proud of the production, and of everyone involved in making
When my local bar, Solid State, challenged patrons to make a movie about their one non-movie-themed pinball machine, Mousin' Around, I took the chance to get inspired and make a little 5-minute short to screen. It was a blast to make,
I'm once again joining The New Collectives as sound designer, this time for their world premiere production of Bryn Manion's Life Brief & Glorious.
***UPDATE: The show has been postponed for the time being; it should be rescheduled soon. More details as I get them.*** I absolutely love working at the Stella Adler Studio of Acting. It's an honor to work with the Harold Clurman Lab;
After four episodes in the director's chair, I'm on the other side of the mic in DTC Radio's latest episode, Batman! The Lost Episode - Make Gotham Great Again. And while I've always wanted to play the Caped Crusader, it was
I once again had the privilege of working with the students at the Stella Adler Studio of Acting, this time with students in the school's conservatory program on William Inge's heartbreaking, Pulitzer Prize-winning Picnic. As with my experience on Carthaginians at the