I'm designing again at the Stella Adler Studio of Acting for the Daytime Conservatory productions of Dominique Morisseau's Skeleton Crew, and Larry Ketron's Patrick Henry Lake Liquors.
I'm working once more with the fine folks at The Skeleton Rep, providing sound design for their world premiere production of Georgia & the Butch.
I once again had the pleasure of working with the good folks at the Lee Strasberg Theatre & Film Institute to sound design a production showcasing their students, this time for Joshua Harmon's Significant Other directed by my friend Illana Stein.
It's a blast to be working with Kevin Ray and company again, this time on an adaptation of Yevgeny Zamyatin's dystopian science fiction story WE.
I'm always honored to be asked to work with the students at the Stella Adler Studio of Acting—this month, Conservatory students will play our production of Shelagh Stephenson's The Memory of Water from April 5–10 at the studios Jimmy Theater.
It's been a pleasure to be invited to work with director Tom Rowan at the Lee Strasberg Theatre & Film Institute on his production of Emily Mann's A Seagull in the Hamptons.
I'm always proud to work with Tom Oppenheim & the wonderful folks at The Stella Adler Studio of Acting's Harold Clurman Lab. Our production of The Cherry Orchard plays September 15–30, 2023—click the photo to see more photos.
I've had the immense pleasure of sound designing Hats Off Productions' inaugural production, Stephen Adly Gurgis's The Motherf*cker With the Hat.
Pleased and honored as always to be asked back to sound design for a Harold Clurman Laboratory production at the Stella Adler Studio of Acting, this time on Clifford Odets' Awake and Sing! It's a very short run, and seats are