Due to unforeseen circumstances, the production of Samuel D. Hunter’s The Whale that I designed for the Harold Clurman Lab at the Stella Adler Studio of Acting earlier this year had Continue →
I’m once again joining The New Collectives as sound designer, this time for their world premiere production of Bryn Manion’s Life Brief & Glorious.
***UPDATE: The show has been postponed for the time being; it should be rescheduled soon. More details as I get them.*** I absolutely love working at the Stella Adler Studio Continue →
October has me doing another gig in the theatre—the company Yonder Window is producing the world premiere of Fengar Gael’s The House on Poe Street, directed by Katie McHugh, and Continue →
One of my current projects: sound design for The New Collectives’ upcoming production of Brendan Kennelly’s adaptation of The Trojan Women, directed by my friend Rachel Dart, to be presented Continue →
I’m once again working with the great folks at The Skeleton Rep, sound designing on the world premiere of Emily Claire Schmitt’s Whatchamacallit: A Play About Jesus. The play is a Continue →
I act, and create live sound effects, in the stage version of Tara Gadomski’s brilliant play “The Offering.”