Incredibly grateful that The New Collectives have asked me back to work with them again.
Pleased and honored as always to be asked back to sound design for a Harold Clurman Laboratory production at the Stella Adler Studio of Acting, this time on Clifford Odets’ Continue →
It is my pleasure to once again be providing sound design for the Harold Clurman Laboratory at the Stella Adler Studio of Acting, this time on Tom Oppenheim‘s production of Continue →
I had the pleasure of working with the team for the new play Inside Danny’s Box, presented as part of the 1st Irish theatre festival at the cell; the show Continue →
Due to unforeseen circumstances, the production of Samuel D. Hunter’s The Whale that I designed for the Harold Clurman Lab at the Stella Adler Studio of Acting earlier this year had Continue →
I’m once again joining The New Collectives as sound designer, this time for their world premiere production of Bryn Manion’s Life Brief & Glorious.
***UPDATE: The show has been postponed for the time being; it should be rescheduled soon. More details as I get them.*** I absolutely love working at the Stella Adler Studio Continue →
October has me doing another gig in the theatre—the company Yonder Window is producing the world premiere of Fengar Gael’s The House on Poe Street, directed by Katie McHugh, and Continue →
One of my current projects: sound design for The New Collectives’ upcoming production of Brendan Kennelly’s adaptation of The Trojan Women, directed by my friend Rachel Dart, to be presented Continue →
I’m once again working with the great folks at The Skeleton Rep, sound designing on the world premiere of Emily Claire Schmitt’s Whatchamacallit: A Play About Jesus. The play is a Continue →